Lee gives his best vocal performance of the pre- 2112 era, particularly on the emotive,ballad-style segments. The band crafts a strongarrangement for the different segments, utilizing a mellow-then-heavy framingmotif and a mixture of guitar-driven and acoustic stylings that offer strongmelodic content throughout. So, after the first two albums, Rush returned to the studio to create their third effort, Caress Of Steel. 'Bastille Day' and 'Lakeside Park' are the biggest contributing factor to this, and some of the easiest-listening songs from Rushs classic period. Review Summary: Whether youre a necromancer who thinks hes going bald, or if youre celebrating Bastille Day, on a fountain, right in the middle of a lakeside park, this review will teach you the underratedness of this album.
Overall, Id say Side 1 is one of the best, and most consistent sides of a record that Rush released over their career. Of course, youthful dreams aren't easily achievedand his journey become a lifelong quest as he deals with criticism("Didacts and Narpets"), abandonment when he chooses to go his ownway ("No One At The Bridge"), the temptation to abandon dreams fordomestic contentment ("Panacea") and the vices and disillusionmentthat come with aging ("Bacchus Plateau"). The first 3 songs of the record fit that description perfectly.
The second side offers the band's first side-lengthconceptual piece, "The Fountain Of Lamneth." The Peart-scriptedlyrics outline a fantasy concept about a boy obsessed with climbing a mountainvisible far from his home. evil.The lyrical concept is barely there, with a nebulous plot that feels like it'smissing several beats and a wonky 'deus ex machina' ending, but the band'sjamming is melodic, telepathic in its tightness and covers a trio of musicalstylings: Hendrix-esque psych ballad, dark rocker, joyous folk-rock. There's also a twelve minute epic in "TheNecromancer." Like last album's"By-Tor And The Snow Dog," it's a fantasy epic about good vs. It remains a source of heateddebate amongst Rush fans but it's actually quite witty and perceptive once youget past the shock of the title. When Rush finished their third album, Caress of Steel, the trio was assured that they had created their breakthrough masterpiece.But when the album dropped off the charts soon after its release, it proved otherwise. The first "I Think I'm Going Bald," a blues-rocker withquirky lyrics about aging and fading ideals.
#Rush caress of steel full#
Side one delivers a pair of long-term concert staples in"Bastille Day" and "Lakeside Park": the former is abarnstorming rocker about the French revolution full of fiery Alex Lifesonguitar solos and stop-start arrangement twists while the latter is a warm,nostalgic ballad with funky underpinnings in which Neil Peart waxes lyricalabout a teen-years job at an amusement park.
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